Summer 2009
 William Morris Studio—On the Other Side of Making
While renowned glassblowing artist, William Morris, has stepped away from the hectic days of actively creating glass art, his studio continues to conduct museum exhibitions and shows of his work. The artist himself is content to lead a quieter life, supporting local artists, learning new crafts, wood carving in particular, and finding adventures that include fishing, free-diving, and exploring.
by Colleen Bryan
Also look for Glasscaster with Marcie Davis in an interview with flameworking artist, Dr.Wayne Strattman, who discusses the techniques behind creating illuminated glass art. You’ll also enjoy discovering how Independent Artist, Susan Hood takes her love of lampworking to students along the Atlantic provinces of Canada in “Have Torch—Will Travel.”
You can find the rest of these articles in the Summer 2009 issue of Profitable Glass Quarterly.
Click here for “Beads—Beyond Adornment,” a history from Diana Dugina Riebling of the International Society of Glass Beadmakers of the development of beads and how they are finding new roles beyond jewelry applications.
Click here for the Glasscaster interview between Marcie Davis and illuminated glass artist, Dr. Wayne Strattman, as he shares his work in illuminated glass applications for glass art as well as for practical applications, such as lighted bars and tabletops.
Click here to listen to the podcast of the entire interview with Dr. Wayne Strattman from Glasscaster with Marcie Davis.
Summer 2009 –  Buy Now!
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