 Eun-Suh Choi
Eun-Suh Choi uses flameworking techniques to create objects and installations that are composed of intricately fused glass threads. These complex arrangements and systematic structures evoke the textiles that she studied in Korea. The artist forms countless tiny glass rods into perfectly composed geometrics with organic forms.
by Colleen Bryan
Also look for Glasscaster with Marcie Davis in an interview with flameworking artist, Tink Martin, who shares the background behind her signature tiny vessels. And don’t miss a preview from Kate Davila of the 2010 Glass Art Society Conference plus a look from Terry Hale at how the Release-A Bead program of the International Society of Glass Beadmakers is helping to educate the public about glass bead art. Rounding out these great articles are profiles by John Emery of Linda Cardell and Anne Baxter, two glass artists who are members of the International Guild of Glass Artists.
You can find the rest of these articles in the Winter 2009 issue of Profitable Glass Quarterly.
Click here to discover how Eun-Suh Choi uses a systematic and deliberate approach when making her larger-than-life flameworked installation pieces.
Click here for more from Glasscaster with Marcie Davis as Tink Martin shares tips for making glass pen nibs from Lauscha ribbed cane.
Click here to listen to the podcast of the entire interview with Tink Martin from Glasscaster with Marcie Davis.
Winter 2009 –  Buy Now!
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